Monday, January 30, 2012

Discussion Topic: Pride and Vanity as Character Identifyers

Pride and Prejudice, arguably Jane Austen's most widely acclaimed novel, discusses classical romantic experiences of the upper class at the close of the 18th century. It stands as a quintessential contribution to world literature for reasons aside from the cultural vignette she presents, however; Austen not only paints an accurate sociological picture, but inspects philosophical issues pertaining to Catholic moralism and virtue. All throughout the novel, woven between lines of superfluous aristocratic banter, is the ongoing personification of vanity and pride through key motivations of each character.

The comparison of pride and vanity in the fifth chapter especially piqued my interest. Mary, the most intelectually sound and least desired of the Bennet daughters, says that:

"Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us."

What Mary is saying, in other words, is that subjective interpretation of a person's intent and qualifications make the person appear to be either proud or overtly vain. This is very interesting, as Austen's word choice leads us to believe that pride is a trait contingent on personal entitlement, while vanity is acted upon because of the selfish need to solidify social status and identity.

I will follow up this post with particular attention to numerous characters in the novel that embody these two traits, but, in the meantime, what are some examples of pride and vanity acted upon throughout the story? Are there any players that balance the two traits harmoniously? What are your thoughts on the way that Austen introduces the theme?

As always, thanks for contributing and happy reading!



Friday, January 27, 2012

The First Installment

Here is the first of many postings discussing Jane Austen's Pride and Prejudice.

This is an article by Barbara Sherrod, an associate professor at Colorado State University, who discusses the timeless quality of the novel. Sherrod quickly dispells the popular opinion that Austen, like some concurrent works within the romance genre, wrote shallow and uninteresting prose. She proves that Pride and Prejudice, among Austen's other works, set a legitimate criterion for romantic literature that has since become the foundation for a vital avenue of literary exploration. The paper continues to praise the different actions and characters that make Pride and Prejudice the cultural phenomenon that it has become.

Enjoy.

Pride and Prejudice: The Classic Love Story

Monday, January 2, 2012

I can't go back to yesterday - because I was a different person then.

-Lewis Carroll